Brandon Geist, Revolver Magazine’s Shreditor-in-Chief, took the time to answer some questions regarding the Golden Gods Awards May 2. Here’s that interview, uncut and in its entirety!
Andy Lyons: First and foremost, just want to say thanks in advance for taking the time to answer these. I really appreciate it from not only a fan’s perspective, but as a young journalist looking to make a career in music journalism, this is the pinnacle for a guy like me!
AL: First question, having the Golden Gods as summer concert season kicks off I’m sure can be a pain in the ass. For example, I live in mid-Missouri and I know the Deftones were in Springfield last Monday, St, Louis on Wednesday, at the Golden Gods on Thursday and then in Memphis on Friday. What kind of planning goes into an event like the Golden Gods? Securing bands to perform and trying to ensure bands are there to accept the awards they win takes a ton of coordination, what do you guys do to keep it all together?
Brandon Geist: Yeah, as that inane commercial says, it’s all about logistics. And it is a fucking pain in the ass. Believe me, there are many excel spread sheets being created to keep track of everything. One of the reasons we have the Gods when we do is actually to just beat the heart of the summer festival season, both in the US and even more importantly overseas. If a band is touring in the US during the Gods, at least they could theoretically fly in just for our show—though we have had artists fly in from overseas just for the Gods in the past (for example, the year Asking Alexandria performed, they flew in from Europe just to play; also, one year Jonathan Davis flew in from Brazil just to make an appearance). I think the main thing is now the show is important enough and respected enough and known enough that is really is like the GRAMMYs for pop music or the Oscars for movies, where if you are those industries, you CANNOT miss it. So whether you are on tour in another part of the country or world, it doesn’t matter; you need to be there. (more…)